Specials

As Janet leaves Jonny, a musical flashback shows how they met and how Donna rejects Gaz's initial advances. Janet, Donna and Louise go out on the pull and Jonny goes to see Gaz. Jonny and Janet do not know each other and meet in the club. Gaz tries to impress Donna by asking for a blowjob. This special is set in 1998, three years before the start of the first series and contains pastiches of several then current music videos.

The stars of the show take a look at their favourite outtakes from the series.

The stars of Two Pints of Lager and a Packet of Crisps, Coming of Age and Grown Ups feature in this special episode for Comic Relief. Janet and Gaz get to spend time alone as a couple with Donna having moved away. Janet wants to go the pub for a special Comic Relief theme night but Gaz would rather stay at home. There is soon chaos at the pub though.

Lauren Laverne meets the cast and takes a look behind the scenes of the making of the show.

As the nation decides the outcome of Gaz's love life, this documentary delves into the history of the long-running and rocky romances between Gaz, Donna and Janet.

No overview available for this episode.

This is an alternate version of S08E08 Keep On Running.

No overview available for this episode.

A musical extravaganza in The Archer. Janet is waiting for Gaz to return to The Archer and announce he has chosen her, unaware he has been in an accident and has already made his choice - Donna. She is convinced he will pick her and is heartbroken when all her dreams are crushed. / / How will she finally realise that she deserves better than Gaz and needs to put Corinthian first? How will Wesley and Janet look to the future alone? How will Tim make them see sense? Perhaps with the help of song, dance and a whole lot of glitz.

A Sliding Doors-style two-hander. Gaz has fallen into a coma, shortly after telling Donna he wanted to be with her. As she sits by his bedside, she begs God to give him back, saying that she is prepared to take "whatever the consequences";. She imagines two separate realities, one where Gaz is back to full health and one where he is paralysed. Both possibilities are followed in parallel, which take very differing paths. How will fully-fit Gaz respond to the news that Donna may not want children in the future? Or that he may not have any friends? How will paralysed Gaz cope with being in a wheelchair, with the prospect that he may never walk again? How does this reflect on their relationship and can Donna really take either of these consequences?